The Critical Analysis of Chapter 3 under Themes of Contemporary Art
In reference tochapter three on The Body under the book Themes of Contemporary Art, under Mutu’s case, the body takes care of several visual signs that focus on identity, gender, age, and race. According to the book, the artist is interested in identity issues that bring out the body signifiers such as the skin color and that of the hair to confirm or confuse their identity. Therefore, the subject matter of the work mainly considers contemporary art, as it emphasizes on the body, how it appears, and individuals’ interactions on the actions and body artwork.
On contemporary artwork, there is the use of most unique techniques defining the development of the female body. Some of the methods exhibited includefound objects, minimalism, and large scale paintings. Each of these is associated with their own and different perspective on the community of the artist and is valued differently as a technique highly influential when it comes to contemporary art. Additionally, the artwork employed is both conceptual and physical.
According to chapter 3, on the body, the significance of the artwork is the aesthetic value. This is, therefore, a clear indication that the art used can elicit great pleasure mainly to the viewers. For example, the sexuality of the body is expressed in the form of Hindu Figurative art, which displays the erotic point(Robertson, 112). On the other hand, when figures are depicted from the sexual poses of Christian art before the period of Renaissance, aimed at portraying the sinful behavior of Christians likely to result in damnation.Moreover, it also offers aesthetic value, having been used towards the decoration ofmore artistic avenues.
Additionally, to touch on the historical significance of artwork, according to the book, the artwork is birthedas a way of confronting the issues related to race and gender. Therefore, this forms the central part of culture wars and identity politics during the 1980s and 1990s, which later expanded into the global consciousness. In this case, the artwork inscribes the ideas inside the images for a female body(Robertson, 220).
On the cultural significance, the art greatly influences society through variation of opinions. This, therefore, instills values that translateinto experiences across space and time. The artwork has had great influences on the religion, especially in a situation where the female body is depicted as being the home of the soul.The European academic traditions and paintings prove that the human figures are believed to be a perfect accomplishment of life as they take care of the figurative motif. Additionally, the sexual side of a woman had not been acknowledged, and by so doing, the artist uses artwork in an effort to liberate the sexuality of a female(Robertson, 112).
According to the book, it is through social engagement that it represents an essential part of the community through the creation of more reliable social connections among social groups and divides using artwork. In reference to the book, the size of the body is relative to its value. For example, in the most contemporary western society, thinness is mainly associated with female bodies, while size strength is depicted as being the characteristic of a male body hence bringing out the racial part in the artwork.
In the view of politics, chapter 3 of contemporary art provides a lot of details. The political art acts as a perfect representation of more robust activism and the rise into political greatness (Robertson, 224). For example, in reference to chapter 3, drawings on terminology and work about Mikhail Bakhtin’s criticism on the literary work, artists and writers make use of the carnival notion and body grotesque. This is aimed at revealing subversion of traditional licenses where prohibitions and hierarchical ranks were never allowed.
To conclude, this paper provides perfect proof of how artwork has been utilized by the artist to pass messages. This, therefore, reveals the significance of artistry on the history, culture, social, and political groupings. It allows people from different cultural diversity to easily communicate through images and stories as it is demonstrated in the Themes of Contemporary art.
Robertson, Jean. Themes of contemporary art. New York: Oxford University Press, 2017.
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